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	<title>Comments on: Digital Stradivari: computer models of violins reveal master luthier&#8217;s techniques</title>
	<atom:link href="http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/feed/" rel="self" type="application/rss+xml" />
	<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/</link>
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		<title>By: E. Wells</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-16271</link>
		<dc:creator><![CDATA[E. Wells]]></dc:creator>
		<pubDate>Tue, 20 Sep 2011 13:04:15 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-16271</guid>
		<description><![CDATA[I believe the density of the top and bottom plates has as much to do with the tonal quality as the thickness consistency....if not, then why do violins sound appear to improve with the aging of the woods?

It appears from the CT scans that the thickness of the plates by the masters was not perfect. With today&#039;s measuring devices we should be able to produce quality violins if the wood is comparable to the wood used by the masters.]]></description>
		<content:encoded><![CDATA[<p>I believe the density of the top and bottom plates has as much to do with the tonal quality as the thickness consistency&#8230;.if not, then why do violins sound appear to improve with the aging of the woods?</p>
<p>It appears from the CT scans that the thickness of the plates by the masters was not perfect. With today&#8217;s measuring devices we should be able to produce quality violins if the wood is comparable to the wood used by the masters.</p>
]]></content:encoded>
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	<item>
		<title>By: Heinrich</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-10949</link>
		<dc:creator><![CDATA[Heinrich]]></dc:creator>
		<pubDate>Sun, 07 Nov 2010 14:27:00 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-10949</guid>
		<description><![CDATA[David,

Perhaps they might be interested. Visit this:

http://web-japan.org/kidsweb/hitech/magnesium_violins/index.html]]></description>
		<content:encoded><![CDATA[<p>David,</p>
<p>Perhaps they might be interested. Visit this:</p>
<p><a href="http://web-japan.org/kidsweb/hitech/magnesium_violins/index.html" rel="nofollow">http://web-japan.org/kidsweb/hitech/magnesium_violins/index.html</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Beverlee Swygert</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-7295</link>
		<dc:creator><![CDATA[Beverlee Swygert]]></dc:creator>
		<pubDate>Mon, 28 Jun 2010 16:38:08 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-7295</guid>
		<description><![CDATA[I have been playing the guitar for over 27 years and your blog post has been one of the most and inspiring that I have read on guitar playing. You can bet that I am bookmarking your blog for more insight on guitar playing.]]></description>
		<content:encoded><![CDATA[<p>I have been playing the guitar for over 27 years and your blog post has been one of the most and inspiring that I have read on guitar playing. You can bet that I am bookmarking your blog for more insight on guitar playing.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: buy beatz</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-7064</link>
		<dc:creator><![CDATA[buy beatz]]></dc:creator>
		<pubDate>Fri, 25 Jun 2010 20:54:12 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-7064</guid>
		<description><![CDATA[I couldent agree more with the author on this one evem tho there are a few points I have diffrent outlooks on.]]></description>
		<content:encoded><![CDATA[<p>I couldent agree more with the author on this one evem tho there are a few points I have diffrent outlooks on.</p>
]]></content:encoded>
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		<title>By: David Foster</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-5958</link>
		<dc:creator><![CDATA[David Foster]]></dc:creator>
		<pubDate>Sun, 25 Apr 2010 13:25:52 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-5958</guid>
		<description><![CDATA[I have constructed a computer model of a violin, and found the displacements associated with the natural vibration modes of the body. I have started to investigate the effect of type of wood and thickness on the forced vibration response of the body to forces input to the bridge from vibration of the strings. I can share the results obtained so far with anyone interested in seeing them.]]></description>
		<content:encoded><![CDATA[<p>I have constructed a computer model of a violin, and found the displacements associated with the natural vibration modes of the body. I have started to investigate the effect of type of wood and thickness on the forced vibration response of the body to forces input to the bridge from vibration of the strings. I can share the results obtained so far with anyone interested in seeing them.</p>
]]></content:encoded>
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		<title>By: Matt</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-2789</link>
		<dc:creator><![CDATA[Matt]]></dc:creator>
		<pubDate>Thu, 11 Feb 2010 07:52:46 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-2789</guid>
		<description><![CDATA[Regraduation can be done on any carved top instrument.]]></description>
		<content:encoded><![CDATA[<p>Regraduation can be done on any carved top instrument.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: july</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-2499</link>
		<dc:creator><![CDATA[july]]></dc:creator>
		<pubDate>Tue, 02 Feb 2010 09:32:10 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-2499</guid>
		<description><![CDATA[Is this also applicable to guitars?]]></description>
		<content:encoded><![CDATA[<p>Is this also applicable to guitars?</p>
]]></content:encoded>
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		<title>By: Fred Rupert</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-1035</link>
		<dc:creator><![CDATA[Fred Rupert]]></dc:creator>
		<pubDate>Fri, 27 Nov 2009 01:39:58 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-1035</guid>
		<description><![CDATA[Graduations are the thicknesses of the violin&#039;s top and back plates.  Generally they will be thicker in the middle and thinner toward the far edges of the plates.  Re-graduation is when a subsequent repair person thought the tone could be improved by thinning either or both of the plates.  It is true that many old instruments have been regraduated.]]></description>
		<content:encoded><![CDATA[<p>Graduations are the thicknesses of the violin&#8217;s top and back plates.  Generally they will be thicker in the middle and thinner toward the far edges of the plates.  Re-graduation is when a subsequent repair person thought the tone could be improved by thinning either or both of the plates.  It is true that many old instruments have been regraduated.</p>
]]></content:encoded>
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		<title>By: Paul</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-967</link>
		<dc:creator><![CDATA[Paul]]></dc:creator>
		<pubDate>Mon, 23 Nov 2009 13:19:32 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-967</guid>
		<description><![CDATA[Hi,
&quot;re-graduated&quot;?  I just play a guitar so please do explain the term &quot;re-graduated&quot;.  Thank you!]]></description>
		<content:encoded><![CDATA[<p>Hi,<br />
&#8220;re-graduated&#8221;?  I just play a guitar so please do explain the term &#8220;re-graduated&#8221;.  Thank you!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Vi Wickam</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-913</link>
		<dc:creator><![CDATA[Vi Wickam]]></dc:creator>
		<pubDate>Thu, 19 Nov 2009 16:42:52 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-913</guid>
		<description><![CDATA[Nevertheless, they are gathering statistics on instruments that have an amazing tone quality, and value. 

The data on these violins as they are today is still valuable, whether or not it represents how they were when they left the master,s shop.

Vi Wickam
Violinist
http://www.fortcollinsstrings.com]]></description>
		<content:encoded><![CDATA[<p>Nevertheless, they are gathering statistics on instruments that have an amazing tone quality, and value. </p>
<p>The data on these violins as they are today is still valuable, whether or not it represents how they were when they left the master,s shop.</p>
<p>Vi Wickam<br />
Violinist<br />
<a href="http://www.fortcollinsstrings.com" rel="nofollow">http://www.fortcollinsstrings.com</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Violinist1</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-696</link>
		<dc:creator><![CDATA[Violinist1]]></dc:creator>
		<pubDate>Thu, 05 Nov 2009 05:12:15 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-696</guid>
		<description><![CDATA[Most of these violin have been &quot;re-graduated&quot;. So the thickness of the top and back is no longer the same as that originally envisaged by the great masters. Hence, the volume of air is also incorrect, if one were to measure that with these &quot;re-graduated&quot; - or, thinnned out -  instruments.]]></description>
		<content:encoded><![CDATA[<p>Most of these violin have been &#8220;re-graduated&#8221;. So the thickness of the top and back is no longer the same as that originally envisaged by the great masters. Hence, the volume of air is also incorrect, if one were to measure that with these &#8220;re-graduated&#8221; &#8211; or, thinnned out &#8211;  instruments.</p>
]]></content:encoded>
	</item>
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		<title>By: uberVU - social comments</title>
		<link>http://smithsonianscience.org/2009/11/digital-stradivari-computer-models-of-violins-reveal-the-master-luthiers-secrets/#comment-667</link>
		<dc:creator><![CDATA[uberVU - social comments]]></dc:creator>
		<pubDate>Tue, 03 Nov 2009 03:07:32 +0000</pubDate>
		<guid isPermaLink="false">http://smithsonianscience.org/?p=2555#comment-667</guid>
		<description><![CDATA[&lt;strong&gt;Social comments and analytics for this post...&lt;/strong&gt;

This post was mentioned on Twitter by benchrest: Digital Stradivari: computer models of violins reveal master ... http://bit.ly/DWW0B...]]></description>
		<content:encoded><![CDATA[<p><strong>Social comments and analytics for this post&#8230;</strong></p>
<p>This post was mentioned on Twitter by benchrest: Digital Stradivari: computer models of violins reveal master &#8230; <a href="http://bit.ly/DWW0B" rel="nofollow">http://bit.ly/DWW0B</a>&#8230;</p>
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